These 30 Seconds Are The Very Best In John Wayne’s 80 Western Movies

John Wayne made more than 180 films, yet these 30 seconds are the very best in The Duke’s 80 Western movies. John Wayne has become synonymous with the Western genre and the archetype of a traditional cowboy as far as the American consciousness is concerned. He wasn’t considered a very good actor as much as he was recognized for having an undeniable screen presence. Tall, broad-shouldered, and stoic, he often portrayed quiet, principled men who could hold their own in a fight or surly lawmen who kept the peace in wild frontier towns.

Whether he was defending the Alamo, or firing his six-shooters from a galloping horse, all The Duke’s characters embodied a specific template of masculinity and bravado from the ’30s until the ’50s. From the ’50s to the ’70s, his box office star was fading somewhat, and the sorts of roles he played varied from military men traipsing through the jungles of Vietnam to marshals being considered past their prime. In fact, he wouldn’t receive an Oscar until 10 years before his death in 1969, but of all John Wayne’s best movies, 30 seconds from The Searchers indicated he should have been recognized decades earlier.

Why Lucy’s Death Scene In The Searchers Is John Wayne’s Best 30 Seconds

John Wayne and John Ford movies were numerous over their lifetimes, but one of their greatest collaborations was The Searchers in 1956, in which The Duke plays Ethan Edwards, a Civil War hero whose family gets kidnapped by Comanches. He rides deep into tribal territory to get them back and comes across one of his nieces, Lucy, brutally murdered and sexually violated in a canyon not far from the Comanche camp. He doesn’t tell anyone at first until her fiancé, who thinks he’s found her tied up (really a buck wearing her dress), tries to ride in and save her.

The exchange between the two men begins with Wayne adopting his usual stern equipoise, but as Lucy’s fiancé presses the issue, Ethan is forced to reveal the atrocities that he saw. “What you saw wasn’t Luc,” he states calmly, until eventually, as the man presses him for more information, his voice cracks, and he begins to scream, “Whadya want me to do, spell it out? Paint you a picture?!” until finally he seems on the verge of tears as his voice racks, “Don’t ever ask me again. Long as you live don’t ever ask me more.”

Lucy’s Death Scene In The Searchers Proves John Wayne’s Skill As An Actor

Not only is Ethan Edward’s speech to Brad full of soul and complexity, but it also proves John Wayne’s skills as an actor. The character goes from a squinting, strong, and intimidating protagonist like the ones he played so often in previous Western films to being a wounded, terrified, and broken man. By not forcing himself to maintain the archetype of his glory days, John Wayne ends up showcasing a range and depth of character that imbues the scene with surprising emotion.

The Searchers is a very dark film that plays out almost more like a film noir than a Western. As Ethan presses on deeper into Comanche land to find his other niece, Debbie (Natalie Wood), he becomes even more tormented by the horrors that he’s had to experience. Wayne manages to communicate the complications of a veteran’s eroding mental health as he’s forced to confront the sort of violence he thought he left behind, until he’s so ravaged by what he’s seen that he almost can’t distinguish Debbie from the Comanche who’ve taken her.

The Searches Paved The Way For John Wayne’s Oscar In True Grit

In Henry Hathaway’s 1969 Western True Grit, John Wayne plays an old outlaw turned drunken marshal named Rooster Cogburn who’s agreed to help Mattie Ross (Kim Darby) avenge the death of her father. For most of the film, Cogburn’s alcoholism and general ineffectiveness are played for laughs and belie his skillful horsemanship and marksmanship. It’s as though a great joke is being played on one of America’s greatest Western stars, until a thoughtful exchange between him and Mattie during a stakeout scene, in which he recounts his failed marriage and poor relationship with his son, changes everything.

The Duke fuses tenderness with regret, and the result is an expansion of the sort of nuanced performance he gave in The Searchers. John Wayne considered the True Grit scene his best work, and so did the Academy, who gave Duke his only Oscar, but he clearly built on skills he honed throughout a long career, with flashes of greatness seen in his portrayal of scarred Civil War veteran Ethan Edwards. John Wayne was often celebrated for being an archetype, but in The Searchers, he found a way to let a few cracks show, revealing his true acting talent.